Monday, 13 October 2014

Music Video History

History Of Music Video


The idea of visual innovation took off in the 50s where the 'Scopitone' which was a visual jukebox, was invented in France. French artists created short films to accompany their songs. This invention then spread to other countries such as the USA and similar machines were produced such as the 'Cinebox' in Italy.



 
One of the earliest videos for a top 40 hit was produced in the Summer of 1963 by Jan & Dean. "Surf City" captured the experience of a Summer in Southern California in a beach scene. Another notably early clip was 'The Animals' in 1964 where they lip-synced the words to "House of the Rising Sun" in a studio set.


The Beatles' made a huge impact in the development of music videos from 1964 onwards. They made their first feature of "A Hard Day's Night" which was originally pictured in Black and White. It was the first example of mixing together both witty dialogue with performance in a musical sequence. 'The Monkees' in America followed suit with the Beatles and constructed film segments with their music. The Beatles then went on to compile a much more superior video in colour for the single 'Help'. Along with this they filmed promotional videos ("filmed inserts") for broadcasting in other countries to enhance their global popularity.



Bands such as 'The Rolling Stones' and 'Pink Floyd' became influential in acting upon this idea of promotional videos to be screened on TV when they were not around to perform live. 'The Who' created a clip in 1966 for "Happy Jack" where the band take the form of a gang of thieves. This notion of comedy alongside of the music was appearing very popular and was well received. The 60s saw a massive movement in the frequency of inserts and the amount of bands realizing the potential of them being used. This was also a period in which colour television was highly developed and much more common therefore many music promos were now shot for colour tele - making them much more aesthetically pleasing.







From 1974 onwards, music television began to establish itself in society. In the UK, 'Top of the Pops' began to play music videos. If the video of was well received by the public then song sales would increase so they could see it again the following week. A prime example of this is David Bowie's hit "Ashes to Ashes" got his first number one in a decade as a result of his promotional tape. British Rock show "The Old Grey Whistle Test" screened a number of videos which were made in particular for the programme itself e.g.) 'Led Zepplin' and 'Genesis'.'. American show "Video Concert Hall"  was the first nationwide channel on American televison and predated infamous MTV by almost 3 years.  On this programme, it was common for the artists to also be filmed miming to a live track to ensure perfomances were controlled and to also avoid technical 
issues. This technique is also used in the 21st century. This particular era saw the rise of the importance of music videos and their significance in the marketing world and stars preferred these promos being shown as it made them appear more visually attractive.
  
 
In 1981,MTV, the US video channel launched its first clip of "Video Killed the Radio Star" and kicked off the generation of non-stop music on television (24 hours a day). With this new ideology, the music video became an integral part in popular music marketing. Acts such as 'Adam and the Ants' and 'Duran Duran' "owed a great deal of their success to the skillful construction and seductive appeal of their videos". Two main innovations through the development of the music video market were the relatively easily operated video recording and editing equipment. The revolution of editing products which enabled visual effects (compositing). This led to pop acts being able to produce quick, cheap and high quality videos efficiently. It is also evidenced that directors and acts worked closely together to explore and widen the form as well as style of a music genre by utilising advanced effects. Mixing film and video and adding a story line.


 
The idea of a non-representational video became established as well, where the artist was not pictured throughout. An example of this is Bruce Springsteen's video of "Atlantic City". In 1983, arguably the most iconic video of all time, "Thriller" was released which was 14 minutes long, suggesting a factor of why it was so unique. In 1985 the video for "Money for Nothing" by Dire Straits, showed the pioneering use of computer animation and aided the song in making it an international hit.



 
The 90s and early 21st century saw the establishment of the internet broadcasting music videos through website such as Youtube, iFilm and Napster. These enabled users to upload and share video files. 2005 saw the launch of Youtube which made online video viewing much faster and easier. Other websites such as Google Videos, Yahoo!, Facebook and Myspace. These had a huge effect on the viewing of music videos and some artists recognised the potential of this newly found internet market. Bands such as 'OK Go' have reached fame through this market such as their video for "Here It Goes Again" where they are pictured doing an extensive dance routine on treadmills  In 2007, the RiAA prevented uses from sharing videos as this was copyright from the record labels although some view it as free advertising of their artists which ultimately is a positive thing - or on the other hand as a product itself, not an advertisement hence the copyright agreements made with Youtube etc. Videos like "Bad Romance" by Lady Gaga have  made news by becoming the most viewed video on Youtube of all time with over 400 million hits highlighting the success of internet popularity and sharing. The introduction of programmes such as "VEVO" also enhance advertising revenue for the websites as well as record labels.



Lyric Videos have increased in popularity since 2010. These can be seen often released by the record labels as an alternative to an actual music video. This typically shows the lyrics of the song being played featuring the lyrics to the song in time. Artists such as David Guetta and Ce Lo Green have followed this trend. These lyrics videos are not only promotional but also as a cheaper alternative to full scale production.



My Favourite Music Videos - Runaway

Runaway


Kanye West's video to his song Runaway is slightly different from other stereotypical Hip Hop music videos, it doesn't include the usual atmosphere of clubbing and partying and is in fact quite the opposite. His video has 2 main aspects, which is him and then also a group of female ballet dancers. The start of the video is Kanye West walking away from a table predominately of black people including some notable rappers, this may signify the history of Hip Hop and its beginning and how now it is becoming a more spread out genre, interlinking with others such as Pop music and creating many sub genres.






The video looks as if it is some kind of celebration like a wedding as the table spread and chairs are white, creating a look of purity and cleanliness. Kanye West portrays himself as a smart important man in this video as he is the only character that you see making a speech and his clothing looks expensive, which is typical of Hip Hop as they show off their material possessions. His suit is cream and black and he is wearing a bow tie, which shows that it is an important event that he is part of so he must be an influential figure, the black of his suit, and also the outfits of the dancers shows the sincerity of the song and that the lyrics are powerful. The setting of the video looks as if it is outside on an estate due to the garage like buildings behind him and the concrete pavement, this may suggest the origination of Hip Hop as it came from the streets and is an urban genre, which lets the audience understand and associate with the situation in the video.








He is playing the piano in this video, this suggests that he, as an artist, has natural talent and shows his ability. He portrays real emotion for what he is singing as he strokes his face in a frustrated way and throughout the whole song holds a position and facial expression that seems in pain and frustrated/upset. 







This is also illustrated through the use of a downward camera angle showing his weakness about what he is talking about. The dancers in the video are all female, and their moves are subtle yet strong and powerful. The amount of female dancers overpowers Kanye West, maybe suggesting that the song is a speech for the women and of their actual strength, making Kanye West seem like a sympathetic influential figure, promoting his importance in the music industry.







  

Friday, 10 October 2014

My Favourite Music Videos - No Church In The Wild

No Church In The Wild 

No Church In The Wild is a collaboration hip hop song by Jay Z and Kanye West. It was released in 2011 as a single for their upcoming collaboration album at the time, Watch The Throne.




In the first scene we see a young black teenager wearing a bandanna around his face to cover his identity. he is holding a flaming alcohol bottle and is ready to throw it in an act of vandalism. which could link to the stereotype of all young black people are criminals. There are other vandals behind him cheering him on and are all dressed similar.







the video then shows an ongoing fight between the youths and the police, riot shields, tear gas, guns and dogs are all featured. this could symbolise the ongoing war in the world or the fight/struggle that the youths have to go through growing up or a sign of people being fed up with the government as this could be a mini uprising. violence is featured heavily in the video however nothing happens in the end which could mean that the message behind the video is that violence doesn't get you anywhere and has no point or relevance in getting what you want/ stand up for.










The statue that is featured in the video represents the current emotions of the bystanders that are witnessing this riot. the statue is shown to have his hand on his face which shows that he is appalled at what he is seeing as violence is stupid or moronic and pointless. 




The title No Church In The Wild could mean that with the evolution of technology and culture people don't care about religion anymore and the wild could refer to the phrase the urban jungle.

The interchanging of power between the police and the youths show the uncertainty of what violence can create. It puts the message across of is there any real winner of violence? and does destruction, bodies and injuries mean anything in the end?


 


 This video does not follow the stereotypical conventions of a Hip Hop music video as no designer labels, jewellery, cars and women are shown. This video tries to send a real message to the audience which is why it is one of my favorite music videos.